Charles Blakey, an African American man living in Sag Harbor, is stuck in a rut, out of luck and about to lose his ancestral home when a peculiar white businessman with a European accent offers to rent his basement for the summer.
Language: English
2.22 GB | 01:54:44 | 2528 Kbps | V_MPEGH/ISO/HEVC | 1920×1080 | A_AAC-2, 48 Khz, 6 channels
Charles Blakey, an African American man living in Sag Harbor, is stuck in a rut, out of luck and about to lose his ancestral home when a peculiar white businessman with a European accent offers to rent his basement for the summer.
Language: English
2.22 GB | 01:54:44 | 2528 Kbps | V_MPEGH/ISO/HEVC | 1920×1080 | A_AAC-2, 48 Khz, 6 channels
Brett Goldstein and Imogen Poots star in a stirring near-futuristic romance as best friends who harbor an unspoken love for one another even after a test matches one of them up with their supposed soulmate.
Language: English
2.7 GB | 01:38:17 | 3695 Kbps | V_MPEGH/ISO/HEVC | 1794×1080 | A_AAC-2, 48 Khz, 6 channels
Follows a paramedic that is so burnt-out by the job that he is forcing himself to resign, however, he first must embark on one last 24-hour shift to train his replacement.
Language: English
1.92 GB | 01:39:50 | 2511 Kbps | V_MPEGH/ISO/HEVC | 1920×800 | A_AAC-2, 48 Khz, 6 channels
A look at the toll of social media through the eyes of Daisy Moriarty, who while dealing with a chaotic personal life, finds herself sucked into the underbelly of the internet.
Language: English
1.47 GB | 01:33:26 | 2007 Kbps | V_MPEGH/ISO/HEVC | 1920×800 | A_AAC-2, 48 Khz, 6 channels
An independent Ember (20s) studies in a library with Jasmine, her exuberant best friend. Ember’s womanizing ex-boyfriend, Paul, appears suddenly. Tessa, Ember’s edgy, Asian-American roommate, arrives, intersecting the awkward situ…
Language: English
1.2 GB | 01:19:54 | 1946 Kbps | avc1 | 1920×1080 | mp4a-40-2, 48 Khz, 2 channels
Zel, a lonely young man’s life changes when his enigmatic neighbour offers to help him overcome social anxiety.
Language: English
1.56 GB | 01:24:45 | 2250 Kbps | avc1 | 1920×798 | mp4a-40-2, 48 Khz, 6 channels
Detective Sergeant Daniel Miller is suspended from the London Metropolitan Police so that he can be secretly deployed to a small English town on an undercover assignment to uncover Britain’s major suppliers of heroin and crack cocaine. He poses as a heroin addict and manipulates an unsuspecting junkie into working with him so that he can infiltrate the local drug network and work his way up the supply chain. The line between duty and criminality begins to blur as Miller’s investigation becomes increasingly dangerous the closer he gets to finding the source of a drug trafficker.
Language: English
1.91 GB | 01:54:46 | 2250 Kbps | avc1 | 1920×800 | mp4a-40-2, 48 Khz, 2 channels
In Los Angeles, the loosely intertwined stories of four different extended families from four different ethno-cultural backgrounds – the Hispanic Avilas, the Vietnamese Nguyens, the Jewish Seeligs and the black Williamses – gathering for their respective Thanksgiving dinners are presented. Their stories are remarkably similar, but each with their own ethno-cultural spin: turkey with a twist being prepared primarily by the head female of the household, largely ethnic sides accompanying the turkey, football on television, and family dysfunction in many different forms pervading the atmosphere of the gathering, the elephant or elephants in the room which most in the know don’t want to be discussed on what is supposed to be this day of thanks. A single event at one of the dinners has a profound effect on all four gatherings.
Language: English
1.82 GB | 01:49:33 | 2250 Kbps | avc1 | 1920×1080 | mp4a-40-2, 48 Khz, 2 channels
Whilst painters, writers, musicians even dancers are talked about as Artists, stand-up comedians are often regarded as mere entertainers – yet their work has possibly more direct effect on an audience than any other art form. These are social and cultural commentators who at their best can change the way we think about important matters whilst making us howl with laughter. A stand-up comedian must be the writer, the director and the star performer, and unlike any other performance there is no rehearsal, no practice, no safety net, the stand-up can only work in front of a live audience – with feedback being instantaneous and often brutal. For most people baring their soul to then have an audience boo or heckle them would be a life-changing trauma, for stand-ups it’s a weekly challenge. DYING LAUGHING is a unique glimpse into the agony and ecstasy of performance along with an singular examination into the day-to-day life of a professional stand-up.
Language: English
1.61 GB | 01:27:32 | 2250 Kbps | avc1 | 1920×1036 | mp4a-40-2, 48 Khz, 6 channels